So Much to Tell You – John Marsden

So lots to aver You by John Marsden, explores the splutter that the protagonist, Marina, endures along her journey to psychical wholeness. Marinas soul has been shattered due to a traumatic event, and being witness to a large amount of violence and hatred in her family. So Much To Tell You is rich in techniques that atomic number 18 utilize impellingly to convey the motif of Marinas press, and journey towards mental wholeness. Marinas hassle in achieving psychological completion is shown by means of the major technique, morphologic contrast.We follow Marinas personal journey and her healing throughout the fable, and we control as she develops from an intr everyplaceted, mistrustful person into some adept who is able to appropriately promulgate with other individuals. Marina uses a tone of self-loathing to show us that she views herself as a nutcase, psycho and the freak of Warrington who suffers from anorexia of speech. Marina is sent to Warrington Boarding take aim to learn to speak again, because her mother cant stand her motionless presence at home.At first Marina is isolated and detached from the slackening of the school day, shown through the retract imagery of Marina as she slinks along the w eachs and corridors. As the novel progresses, Marinas entries suggest that she is becoming more in touch with her peers, and wretched round the school more confidently. Her visit to Mr Lindells house over the weekend is a very fundamental event in Marinas transformation. Throughout the weekend she becomes more expressive, expressed through her tone of convulsion in the phrase it was goodAnd theyre so adequate Nice, nice, nice Here, the use of exclamation and the repetition of the word, nice emphasise Marinas confirmatory involvement in life. This is contrasted with Marina being a passive spectator during school tennis, and life in general. Towards the end of the novel Marina chooses on her own administer to return to Warrington, and reaches out to Mr Lindell to help her, a drastic change from the theme of the novel where she didnt interact with anyone at all.In the early stages of the novel, the struggle and difficulty of repairing Marinas psyche due to damage and conflict within her family, and Marinas journey towards mental health, is conveyed through the composers effective manipulation of fragmentation imagery. Perhaps the most prominent examples of fragmentation imagery would be Ann Maltins spangled star doona cover. Ann tells Marina the the stars do fit together, but it took her historic period to figure it out. This is a metaphor for Marinas damaged psyche, and it foreshadows her psychological wholeness.Her psyche leave alone fit together again she just has to depart it time to heal. Marina in addition explains the she likes the word coalesce, though when she looks at it for a long time it seems unnamed and ugly. This is how Marina views herself, a jumble of strange and ugly fragments that need to coales ce in order to become one healed psyche. She also writes about the way the pool is when there is nobody there then the first girl jumps or dives in and it all cracks. This demonstrates how fragile Marinas psyche is it could shatter at any time. Ann Maltin also had a ceramic piece on the cupboard beside her bed.It was a monolithic bird, an eagle. Whilst vacuuming the dorm Marina accidentally knocks the bird of its stand, and it promptly shatters on the floor. sluice after Ann has glued it back together, she can still see the cracks. She will evermore see them. This indicates that Marina will heal, but she will never be exactly the same person as she was before the incident, and she will always be scarred from the traumatic event. John Marsden has greatly emphasised the immensity of Marina repairing her damaged psyche through the use of metaphors, foreshadowing, and fragmentation imagery.Symbolism and figurative devices are also used effectively by John Marsden to evoke the idea of Marinas need for retreat or refuge from the difficulties of reality, prior to her significant journey to wholeness. For Marina, the chapel at her school symbolises a sanctuary. Churches are safe places, where you can confuse, Marina sits by herself in her dark corner and writes in her journal, it is where she can conceive about her life, and her father. She feels protected in the chapel, and in the school generally too.This is shown through the use of similes in the phrase in the hospital she felt expose under the white light, here she feels like a black garner. This contrasts surrounded by the white exposure of the hospital, and the black refuge of the school. Similes, retreat imagery, and symbolisation are used dextrously throughout So Much To Tell You to demonstrate Marinas difficult journey to wholeness. John Marsden dextrously uses effective techniques throughout So Much To Tell You to explore the concept of struggle and wholeness, demonstrated by the protagonist, Ma rina.We learn about Marinas personal struggle to become whole again after the tragic events that have occurred prior to the beginning of the novel. We see this through the contrast of Marinas character between the beginning of the novel and the end of the novel, the extensive use of fragmentation imagery, and the retreat imagery, that is used to convey Marinas struggle. We trace her traumatic personal journey, difficulties and mental healing throughout the novel, on an emotional rollercoaster that is Marinas life.